eee gee Delivers an Indie Pop Triumph in the Kaleidoscopic 'SHE-REX'
Photo: Niklas Adrian Vindelev
eee geeâs newest album, SHE-REX, is a colorful indication of her expansive artistic vision, arriving as an indie-pop triumph finished with a subtle disco shimmer.
The title track welcomes listeners to the world of SHE-REX with a haunting acoustic guitar. eee gee wanders through harmonies laden with ethereal reverb, creating a lofty soundscape. Although the arrangement remains sparse and folky, the vocals invoke moments of R&B with percussive, punctuated melodies.
âSchool Reunionâ picks up into a wistful groove with a retro '80s feel. A synth bass plunges forward with an unrelenting pulse, and string hits add a cinematic flair to the track. Itâs an inherently nostalgic song, and coupled with the narrative lyrics that look back at faded high school sparks.
With a bit of Mac Demarco in the wavy guitar chords, âGhost Houseâ nods to indie-surf-rock ease. eee geeâs rich low tones stand out in this track, and it also doesn't hurt that it features some of my favorite lyrics from the album in âNow you mentioned me to your mom on speakerphone / she says, âOh, Iâm so glad youâre seeing someone!â / and Iâm like, âDid he just use me like a buildup in a song?â / it never gets to where it couldâve goneâ¦â
â(search:) how to break up with a friendâ introduces us to a softer side of eee gee, with a lilting piano taking center stage. Thereâs a jazzier silkiness to the vocal as they cascade through vibrant harmonies that buzz over key lyrics in signature eee gee fashion. A paired duo in my eyes, âpromise to pick up the phoneâ croons about the fear of never talking to a past love again, while ânew years exâ details the aftermath of watching your relationship get erased through deleted Facebook posts and stolen sweatshirts that are starting to lose their meaning.
âdid you ever love someoneâ is an anthem of bittersweet acceptance, acting as a sort of âend of Act 1â for the album, leading us into âhow to heal a friend,â which features an infectiously catchy melody that adds brightness to the otherwise downcast narrative.
The final three songs are a seamless trifecta of eee geeâs artistry. âPerfect 10â is like a modern Fleetwood Mac hit, with disco beats and bell-like synths that set the '70s mood for the cover of The Bee Geesâ âMore Than A Womanâ that follows. The cover perfectly captures eee geeâs disco-kissed indie pop sound, as she bends the song to a sultry pace. Finally, âspace anxietyâ closes out the album, both melancholy and romantically hopeful in its introspection, much like the rest of SHE-REX.
Listen to SHE-REX below: