From the Site
Eloise’s “Drunk on a Flight” Feels Like a Sunday Morning Reflection
January 20, 2023
“Drunk on a Flight” is the perfect blend of subtle pop and laidback jazz.
Author:
Tatum Van Dam
underscores Says Farewell to an Era With "'Count of three (You can eat $#@!)"
January 20, 2023
The standout track is co-produced by Benny Blanco, Cashmere Cat, and Dylan Brady of 100 gecs.
Author:
Alessandra Rincon
Gatlin Delivers a Stirring Ode to Coming in Second Place in "Still Not Me"
January 20, 2023
Gatlin is starting off the new year by cementing her signature sound—vulnerable folk-country pop
Author:
Giselle Libby
Phoneboy Explore Pitfalls Of Fame On New Single “Ferrari”
January 19, 2023
New Jersey indie rock band Phoneboy are kicking off their new album cycle in style and with a dash of existential dread with the release of their latest single, "Ferrari."
Author:
Alessandra Rincon
Issue 02: New Year, New Zine
January 18, 2023
We're kicking off the new year with a look back and a look forward at some of tomorrow's stars.
Author:
Ones To Watch Staff
hemlocke springs' "stranger danger!" Is a Daring, Intoxicating Follow-Up to Her Breakout Hit
January 18, 2023
“stranger danger!” is a song that oozes odd, demanding your attention to keep up with Springs' unraveling.
Author:
Jazmin Kylene
Meet Kiki Rockwell, an Innovative New Artist Fresh to New Zealand's Indie Scene
January 18, 2023
Kiki Rockwell is an innovative new artist fresh to New Zealand’s indie scene.
WILSN Lets Her Soul Run Free in “Those Days Are Over” [Premiere]
January 17, 2023
“It’s about trusting yourself, going with your gut and really believing you can do the thing you set out to do.”
Author:
DJ Connor
Joesef's Debut Album ‘Permanent Damage’ Is an Exercise in Hurt and Healing
January 17, 2023
'Permanent Damage' is a valiant debut effort by an artist unafraid to let his heart bleed.
Author:
Alessandra Rincon
JAWNY Hops Aboard the Never-Ending Rollercoaster of Love in “true”
January 17, 2023
"true" is a woozy lovesick outing that sees JAWNY making full use of his left-field talents.
Author:
Alessandra Rincon
Governors Ball 2019: 10 Ones to Catch (Who Aren't Tyler, the Creator or The 1975)
May 29, 2019
These are the acts you cannot afford to miss.
Author:
Maxamillion Polo
Frost Children’s “FLATLINE” Is the Only Thing Keeping My Blood Pumping
February 1, 2023
“FLATLINE” is simultaneously high-energy, hypnotic, and brimming with Yoshi sounds.
Author:
Carter Fife
TSHA Gives us a Glimpse of 'Capricorn Sun' With the Infectious "Giving Up"
June 23, 2022
"Giving Up" provides a momentary escape from life and an opportunity to lose yourself in the moment.
Author:
Nathan Ahamed
Nathan Archie Releases Long-Awaited Debut “hurt me enough”
October 20, 2022
"hurt me enough” is not a track for the fragile or faint of heart.
Author:
Carter Fife
Silverstein's Shane Told Talks Band's 10th Full-Length Album + Silvertooth Reunion [Q&A]
April 19, 2022
Silverstein are currently in their 22nd year as a band and show no signs of slowing down anytime soon.
Author:
Moe Horta
Rodney Chrome Is the Black Queer Artist Carving His Own Path Forward [Q&A]
May 31, 2022
"You gotta walk into a room and act like you own it."
Author:
Jazmin Kylene
Lecx Stacy Is Shifting the Future of Left of Center Music
October 31, 2019
Stacy's music is rife with personal introspection and moments of harrowing escapism.
Author:
Bianca Brown
Sycco Is an Infectious Dose of Sonic Sunshine
April 3, 2020
Sycco is pulling us out of this springtime-sadness, let her do the same for you.
Author:
Jenna Singer
KIAN Drops Visual For the Effortlessly Smooth "Every Hour" [Premiere]
May 1, 2020
"This song embodies safety within a relationship, learning about and acknowledging each other's past in order to better understand one another."
Author:
Maxamillion Polo
Nessa Barrett Takes Control of Her Own Happiness on 'pretty poison'
September 13, 2021
In her debut EP, the viral star grapples with the cost of fame.
Author:
Maxamillion Polo