From the Site
Avery Lynch Walks Us Through 'The Kids Table,' Track By Track
August 24, 2022
'The Kids Table' sees the rising singer-songwriter search out new emotional highs and lows.
Author:
Ruby Scott / Avery Lynch
Meet Sad Night Dynamite, the English Duo Crafting a Sonic World All Their Own
August 23, 2022
The Glastonbury duo is “taking everything that's happening with the world and adding mud.”
Author:
DJ Connor
Greentea Peng's "Look To Him" Is Pure Poetry in Motion
August 22, 2022
The UK artist effortlessly commands attention.
Author:
Jazmin Kylene
chloe moriondo's "Fruity" Is a Delectable Young Love Anthem
August 22, 2022
“‘Fruity’ and this album in general are going to be a slap in the fucking face!!"
Author:
Dillon Stave
Jean Dawson Welcomes the Era of 'CHAOS NOW*' With "THREE HEADS*"
August 22, 2022
Call it experimental indie rock, pop punk, nu-rave, whatever you like, but there is no denying Dawson.
Author:
Michelle Dalarossa
Cartel Celebrate “The End" With New Single [The Noise]
August 22, 2022
"The End" is a reminder to cherish those special connections, romantic, platonic, or otherwise.
Author:
Alessandra Rincon
NYXEN Races Through the '80s-Evoking World of 'PXNK'
August 22, 2022
'PXNK' is a showcase of everything NYXEN has been learning on her rise to fame.
Author:
Nathan Ahamed
Ruel Tries to Extend a Helping Hand in "You Against Yourself"
August 19, 2022
Ruel pairs complex subject matter with effortlessly infectious pop in his latest outing.
Author:
Dillon Stave
EMELINE Delivers an Irresistible Sex Positive Anthem With "Strut"
August 19, 2022
“I don’t do the walk of shame — I strut.”
Author:
Jazmin Kylene
Honey Revenge Are in It For the Long Haul in New "Ride" Video [The Noise]
August 19, 2022
Honey Revenge is the kind of band that easily creates intoxicating, hook-driven music.
Author:
Alessandra Rincon
Tommy Newport and Jazz Cartier Have Hit the “Jackpot”
October 31, 2022
“Jackpot” highlights euphoria at its finest with a unison of exceptional musicality and faultless versatility.
Author:
Joe Beer
Equipment Celebrate LP Announcement With Stellar Doube-Single Release | THE NOISE
August 30, 2023
Ohio's Equipment rise to new heights on their latest double single release, "LO/FO" and "Username."
Author:
Alessandra Rincon
Life Goes On In Happydaze's Latest Single "Been And Gone" | THE NOISE
September 15, 2023
The glowing track echoes and ascends into powerful melodies, laced with a stand-out edge, and honestly expresses raw emotions.
Author:
Alessandra Rincon
All CLUB INDGO Wants to Do Is "Show You Off"
July 14, 2023
"Show You Off" is far too easy to swoon to and contagiously fun.
Author:
Jazmin Kylene
Charlotte Sands Is 'Good Now' On Latest EP [Q&A] | THE NOISE
July 21, 2023
Few artists have had a rise to stardom in the last few years, quite like Charlotte Sands has. From collaborating with her heroes to realizing who she wants to be, it's been an incredible and inspiring journey to watch and be a part of.
Author:
Alessandra Rincon
SeeYouSpaceCowboy’s “Chewing The Scenery” is as Experimental & Heart-Stopping As The Band | THE NOISE
August 24, 2023
What do you get when a dextrous, hardcore band incorporates… waltz?
Author:
Allissa Williams
DARTZ Aims to Have That Distinct Kiwi Sound, Evoke Kiwi Emotions, and Keep it Punky
September 15, 2023
Pōneke based four-piece DARTZ are a cornerstone of Aotearoa’s live punk scene.
Author:
Jorja Parmentier
Arlo Parks Peers Into Our Hearts and Diaries in 'My Soft Machine'
May 30, 2023
“I’m giddy, I’m crying, I’m grinning, I’m throwing myself around this apartment, I’m on fire, I’m terrified, I’m feeling everything right now.”
Author:
Jazmin Kylene
Guardrail Redefine Themselves On Debut LP ‘Content’ [Q&A] | THE NOISE
July 10, 2023
Featuring recent singles "Silhouette" and "Joke's On Me," the LP shows the band's sound and writing style evolution, with the twelve-track body of work being the most dialed-in project the band has ever crafted with their unique sound.
Author:
Alessandra Rincon
DJ_Dave Live-Codes Her Own Universe in Debut EP 'Intercell'
September 11, 2023
"My goal is to show how live-coding can and should fit into world of music outside of technology-specific environments."
Author:
Alessandra Rincon